This classical guitar from the luthier Christian Koehn has ben sold. We will get a new one soon, contact us for more information.
Christian Koehn is a young luthier from Berlin – Germany who build amazing traditional guitars which are as powerful as a DT or a lattice. His guitars include an innovative turnavoz inspired by the bass-relex systems on the upper side which brings sustain and warm colors. One the best traditional guitar for sure.
The guitar offers a stuning brazilian rosewood (with Cities certificate) which adds more thickness to the notes. The overall color of the guitar is traditional but with a huge sound. The playability is excellent. The craftmanship is amazing.
There is a soundport on the upper side which is not a soundport but behaves like a bass-reflex system which adds sustain and a warm tone to the guitar. As a result, the guitar is incredibilit loud with a very delicate sound.
here are some information on Christian taken from hs website :
I was born in Berlin on the 1st of January 1976 and grew up in this wonderful and unconventional city. When I was 12 years old my parents gave me a classical guitar and, quickly, I was fascinated by its sound and its simple yet perfect shape.
During my studies in agriculture I spent a lot of time in libraries. That is where a copy of Roy Courtnall’s „Making Master Guitars“ fell into my hands. This was a very inspiring moment in my life.
In my one-room student apartment I made my first guitar. Looking back, it wasn’t particularily beautiful, but it sounded better than any guitar I could afford at that time.
I contacted Roy Courtnall and, shortly after, was on my way to England to study with him at Newark College. So I learned how to make classical guitars in the traditional way. During my studies I was also instructed by Tony Johnson, Malachy Brady and James Lister. I also visited Paul Fischer’s and Gary Southwell’s workshops.
In 2006 I graduated from International Guitar Making School (Newark College). I received a diploma with distinction and was awarded the Ashley Mark Publishing Prize (Classical Guitar Magazine UK) for being the best in my graduation class. After that I took the opportunity to acquire a deeper knowledge in the art of restoration and repair at Newark School of Violin Making. There I met my wife, the violin maker Thilde van Norel. In 2007 we moved to Berlin. We have two children and share a workshop in Kreuzberg.
After all this experience I still have this one desire: to build the next guitar – and to make it even better.