Among the guitarmakers who highly contribuated to the develpment of the traditional classical guitar, there are José Ramirez, Paulino Bernabé and Manuel Contreras. Manuel Contreras II is the son of Manuel Contreras I (1926-1994). It was the elder Contreras who made the first José Ramirez guitar Andrés Segovia bought in 1960 when he worked for Jose Ramirez III. Contreras earned a reputation as one of the finest and most innovative luthiers in Spain.
This Manuel Contreras II Especial has been made in 2010 just one year before Manuel Contreras II passed away. The guitar has all the attributes of Contreras guitars: big very opened warm sound and a wonderful craftmanship.
This classical guitar from the luthier Manuel Contreras II is in MINT condition. a great opportunity to acquire a master piece at a reasonable price.
It seems to us that this Especial model is way above her competitors such as the Ramirez 1A with a much larger sound and some wonderful deep basses.
Here are some Bio information borrowed from Manuel Contreras website:
Manuel Contreras, born in Madrid in 1928, started his professional activity as guitar maker from the advantageous position of being a much sought after cabinet maker.
It was José Ramírez the third who in 1959, knowing of Contreras great reputation, invited him to join his guitar workshop. In three years he had developed his craft sufficiently to set up, in 1962, as an independent guitar maker in Madrid.
Although Contreras should not be considered as being a luthier opposed to tradition, his work reveals us a maker who was much more open than most of his contemporaries to new ideas and developements, what led him to work, from the early 70s, on various unusual instruments.
His first achievement, in this sense, was the design of the model “Double Top”, which Contreras presented in 1974, after a number of experiments in order to improve the tone, volume and projection of the instrument. The great acceptance this model immediately got in the professional guitar world (the first Double Tops, were closely followed during their process of construction and afterwards used by the four mythical guitarists members of the Romero family) encouraged Contreras to continue with this innovative way of working, far away from the mainstream of classical guitar design.
To this period also belongs the “Guitar-Harp”, a very elaborated model in its construction, with a design of a great beauty and a very powerful sound. As well as the “Alto-Guitar” model, a smaller instrument with a higher tuning than the conventional guitar. This instrument has been mainly sought after and appreciated, since then till nowadays, by the members of the prestigious Niibori Guitar Orchestra of Japan.
Contreras constructed the “Carlevaro” model in 1983. Based on an idea of the uruguayan master Abel Carlevaro, it introduces a number of very original new elements, like the missing waist on the bass side and the lack of soundhole on the harmonic top.
In the mid 1980s, Contreras thought up the “Sounding Back Support”, a design that he developed, side by side with his son Manuel Contreras the second during some years, up to the moment when they definitively incorporated this item to their top line guitars. It was thoroughly designed to improve the sound response of the guitar in large halls, chamber ensembles and performances with orchestra.
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PREVIOUSLY SOLD CLASSICAL GUITARS FROM THE LUTHIER MANUEL CONTRERAS