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Daniel Friederich 1984 cedar No. 586 – France

SKU: 14FRI586 Categories: Previously sold, Traditional Tags: preowned, sold

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This No. 586 Daniel Friederich has been sold. Contact us if you are looking for a Friederich, we will put you in our Friederich wish list and you will be informed in advance.

This n° 586 belonged to a unique professional player who took a great care of his classical guitar. The guitar is in perfect condition , no repair. The top has been repolished some year ago by M. Daniel Friederich himself. This classical guitar is astonishing by its loudness and the balance of its voices. We have tested this classical guitar with nylon string and carbon strings – here we have used carbon strings for the recording – and have been amazed by the quality of its sound.

The Daniel Friederich classical guitars from the 80’s are among the best Friederich produced. Daniel classical guitars are now a standard like Steinway for the Piano. Balance, projection and sweetness of the treebles . These classical guitars remain unique and some of the most highly searched classical guitars. The n° 586 is maybe one the best Friederich that we had the chance to play.

In Daniel Friederich own words:

“I was born on January 16, 1932 in Paris. I built my first classical guitar in 1955 because I was learning to play the guitar and my teacher, Cristian Aubin, said that I needed a better instrument. I realized that I could not possibly afford to buy a good guitar so I decided to make one for myself. It was a very simple copy of a guitar by Francisco Simplicio.

Aubin helped me; he had already made a copy of his own Torres, and had spoken to Robert Bouchet about the construction method. I completed fifteen guitars before I showed one to Bouchet in 1960. In 1967, I anonymously entered a competition in which the jury included both Fleta and Bouchet. I was awarded a silver medal for the sound of my guitar and a gold one for the craftsmanship.

My earlier guitars were relatively simple, pleasant to play, and the sound was quite explosive. Since about 1973, I have increased the weight and the guitars have more sustain, and a richer, sweeter sound, but they are still easy to play. (On the whole, modern guitars seem more difficult to play than those made thirty to fifty years ago, although they do give more vigor, contrast, color, sustain, and have more timbral and dynamic possibilities).